Installation view - Art Basel Unlimited, 2022
An Apology to a Love Story that Crashed into a Whale, 2016, 64 C-Prints on Fujiflex Metallic Paper, 48 x 72 cm each
An Apology to a Love Story that Crashed into a Whale, 2016. 64 C-Prints on Fujiflex Metallic Paper, 48 x 72 cm each
Installation view - “The Year Spring Arrived in September” at Frac Bretagne, Rennes, 2023
The Dictator and His Cockroach Count Their Blessings, 2023, oil on canvas, 167 x 244 cm.
Installation view - “The Year Spring Arrived in September” at Frac Bretagne, Rennes, 2023
A Festive Gathering of Near Extinct Animals and Dead Revolutionaries, 2023, oil on canvas, 95 x 130 cm.
False Prophet, 2023, oil, spray paint, enamel and collage on canvas mounted on wood panel, 130 x 90 cm.
Defiant Witness (Wink Wink), 2024, C-Print on Fujiflex, 50 x 74 cm
M . A . G . N . E . T, 2019. Super 16mm film transferred to Full HD. Color and Black and White, 21 min.
Installation view - “M.A.G.N.E.T” show at MAAT Museum of Art, Architecture and Technology, Lisbon, 2019
M.A.G.N.E.T, 2019. Super 16mm film transferred to Full HD. Color and Black and White, 21 min. Commissioned by MAAT Museum of Art, Architecture and Technology, Lisbon
No Shooting Stars, 2016, Super 16mm and GIF animations transferred to Full HD, 14 min. 25 sec. (co-commissioned by Jeu de Paume, Paris, Fondation Nationale des Arts Graphiques et Plastiques and CAPC musée d’art contemporain de Bordeaux). WATCH HERE
Installation view - “M.A.G.N.E.T” show at MAAT Museum of Art, Architecture and Technology, Lisbon, 2019
Eternity, 2018, Acrylic, vinyl, and text. Dimensions variable. Commissioned by University Galleries of Illinois State University, Normal, Illinois, USA.
Someone Tried to Lock Up Time (Clouds are Dreams), 2018 – Ongoing, 5 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm / 45 x 45 cm, each. Overall dimensions 141 x 116 cm.
Installation view - “A Peacock and a Hippo Walk into an Existential Debate” solo show at La Kunsthalle Mulhouse, Mulhouse, France, 2019
Someone Tried to Lock Up Time (The Ruler Won't Live Forever), 2018 – Ongoing, 3 C-Prints from chemically-altered slides on Fujiflex Metallic material, 45 x 67 cm each. Overall dimensions 47 x 213 cm.
We're All Victims of Our Own Adopted Fantasies Here (Reprise), 2017, 5 C-prints from chemically altered negatives printed on metallic fujiflex paper. Overall dimensions 150 x 147 cm.
Someone Tried to Lock Up Time (Fish Tongue), 2018 – Ongoing, 2 C-Prints from chemically-altered slides on Fujiflex Metallic material, 67 x 45 cm / 25.5 x 38 cm, each. Overall dimensions 69 x 87 cm.
Clowns, 2014, Text, acrylic and fluorescent paint, dimensions and colors variable. Installation shot at Castello di Rivoli.
Our Prehistoric Fate, 2011, two duraclear prints, powder-coated aluminum structure, light box displays and clamps. Prints are each 151 x 177 cm. Installation view MAAT - Museum of Art, Architecture and Technology, Lisbon
A World Within a World Within a World Within a Green Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm
Installation shot, Measuring the Last Breaths of Time on a Fading Scale, 2014
A World Within a World Within a World Within an Orange Coral Wall, 2014, C-print from a chemically altered negative on metallic paper, 82 x 82 cm
Fate Brought Us to the Shores of a Lava Lake at Dawn (no. 1), 2014, C-print from a chemically altered negative on metallic paper, 82 x 100 cm
The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm each, Edition 3 + 1AP Installation shot of Exhibition at Art in General , NYC, 2014- 2015.
The Hollow Desire to Populate Imaginary Cities, 2014, 30 C- Prints from chemically altered slides on metallic paper, 34 x 50 cm, Edition 3 + 1AP
Installation shot. Time Laughs Back at You Like a Sunken Ship, 2012, Super 8 film transferred to HD video. 9 min. 31 sec. WATCH HERE
Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
Advice for the Young and the Seekers of Sanity, 2012, Programmable LED screen, flash animated text. 250 x 350 cm. Installation view PinchukArtCentre, Kiev (photo: Sergey Illin).
Installation view - “The Year Spring Arrived in September” at Frac Bretagne, Rennes, 2023
No One Will Ever Know, 2006, Spray paint and gouache on paper, 28 x 37 cm
We are Here Tonight to Celebrate Our Unknown Ancestors, 2009, spray paint, gouache and collage on paper. 35 x 50 cm.
