The Majority of Accent (detail), 2018-2024, textile painting, embroideries and seeds on printed fabric, sound recordings

Installation view - La Biennale de Lyon, France, 2024

The Majority of Accent, 2018-2024, textile painting, embroideries and seeds on printed fabric, sound recordings

The Entrusted Shaman, 2020, stitching, painting on pillowcase dyed with plant extracts (hibiscus), 104 x 93 cm

Installation view - “Touch Nature” group show at Lentos Kuntsmuseum, Linz, Austria, 2025

The Entrusted Shaman (back), 2020, embroidery on dyed fabric, 104 x 93 cm

Courtesy of Lentos Kunstmuseum Linz
Photo credit: Rainer Igloo

Installation view - “In Real Time” group show at NYUAD, Abu Dhabi, 2024

Courtesy of the artist and NYUAD

Installation view - Frieze London Focus, 2023

Installation view - The Eye of the Earth, 2022.

Deaf Cave, 2022, Painting and stitching on dyed fabric, 96 x 125 cm.

Unkept Secrets, 2022, Painting and stitching on dyed fabric, 94 x 130 cm.

The Mouth of The Ground, 2021, 8 pieces fabric works, textile painting and embroidery on naturally dyed fabrics; patchwork on fiber-filled fabric, 26 x 30 cm each.

Holding on to The Mountain, 2022, Painting and stitching on vintage bundle fabric, 83 x 77 cm.

Installation view - The Eye of the Earth, 2022.

Quiet Abrasion, 2022, Five pieces of pillowcase stitching and painting on natural dyed pillowcases, 67 x 45 cm.

Installation view - The Mouth of The Ground, 2021. Textile painting and embroidery on naturally dyed fabrics; patchwork on Fiber-filled fabric.

Courtesy by Invisible Dust, 2021. Photo credit by Jaron James and Garry Jones. The Mouth of the Ground was commissioned and produced by Invisible Dust in partnership with The Herbert Art Gallery and Museum and publicly funded by Coventry City Council, National Lottery funded by Arts Council England and the Wellcome Trust’.

The Mouth of The Ground, 2021. Textile painting and embroidery on naturally dyed fabrics; patchwork on Fiber-filled fabric.

Installation view - They Said Everything They Couldn’t Say And You Fell Silent, 2021. 7 pieces of embroidered works on vintage fabrics. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo credit by Margarita Ogolceva

They Said Everything They Couldn’t Say And You Fell Silent, 2021. 7 pieces of embroidered works on vintage fabrics. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo credit by Margarita Ogolceva

As The Roots Spoke, the Cracks Deepen (2019-2020). Painting and stitching on found fabrics hand-dyed with plant extracts; 3- channel audio installation with a prayer by Sema Kaygusuz. Commissioned by the 13th Gwangju Biennale. Supported by SAHA – Supporting Contemporary Art from Turkey. Photo Credit by Sang Tae Kim

EMANET / ENTHAUSTED, 2020, Stitching and painting on pillowcase, 107 x 83 cm

The Lost Water, 2020, Stitching and painting and patchwork on pillowcase dyed with plant extract, 78 x 93 cm

Installation shot, 15th Istanbul Biennial, Pera Museum, 2017.

The Deficient Joint Gap, 2017, embroidery and painting on table cover, 119 x 130 cm.

At-Home Day, 2009, embroidery and painting on fabric, 62 x 62 cm.

Special Passport, 2009, embroidery on fabric, 14.5 x 9.5 cm (original

dimensions) 22 pages.

Diplomacy, 2014, embroidery and painting on fabric, 147 x 206 cm.

Perfect Match, 2018, Stitching on found fabric, 88 x 148 cm.

Installation view - 4th Autostrada Biennale, Prizren, Kosovo, 2023

Companion Plants, Entrusted Stones-1, 2023, embroidery and painting on entrusted fabrics from Prizren, 145 × 140 cm

#23 (Nook Series), 2018, Drawing series on natural-dyed paper, 30 x 21 cm.

#25 (Nook Series), 2018, Drawing series on natural-dyed paper, 30 x 21 cm.

Red-handed, 2017, Stitching on stained table cover, 163 x 193 cm

Hunters Shot Each Other, Stitching and painting on duvet, 2012, 105 x 150 cm