Alexandrian Desert Dreams, 2025, hand-embroidery and soft pastels on monk's cloth, 122 x 141 cm

Installation view from Frieze London 2025

Featuring Alexandrian Desert Dreams, 2025, hand-embroidery and soft pastels on monk's cloth, 122 x 141 cm (each)

Installation views from Remnants of a Distant Past, solo show at Pedro Cera, Lisbon

Courtesy of the artist and Pedro Cera

Installation view from Remnants of a Distant Past, solo show at Pedro Cera, Lisbon

Shadows of Empire, 2024, Jacquard-woven tapestry crafted from wool, cotton, and lurex, 150 x 340 cm

Courtesy of the artist and Pedro Cera

Monoliths to come, 2024, engraved Belgium Black stone, 120 × 70 cm (each)

Wells of Memory, 2024, jacquard-woven tapestry crafted from wool, cotton, and lurex, 220 × 150 cm

Installation view from Remnants from a Distant Storm, solo show at Pedro Cera

Laws of Ruins, 2024, 4K film | 14 min

Courtesy of the artist and Pedro Cera

Laws of Ruins, 2024, 4K film | 14 min

Installation view from Art Basel Statements 2024

Laws of Ruins, 2024, 4K film | 14 min

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Upon the Margins of Dream-Land, 2024, jacquard weaving, 213 x 157 cm.

Upon the Margins of Dream-Land was produced by AWAN Festival, London in 2024 as part of Tale Tonic, curated by Hanya Elghamry.

Magic Carpet Land, 2020, HD Film, 11 min. 11 sec

Magic Carpet Land, 2020, HD film, 11:11 min.

Installation view: Sharjah Biennial 15, Old Al Dhaid Clinic, 2023. Image courtesy of Sharjah Art Foundation. Photo: Danko Stjepanovic

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

Installation view from “Keep Me Posted” group show at Gypsum

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

Installation view from Towner International show at Towner Gallery Eastbourne, UK. Curated by Noelle Collins

31 Silent Encounters, 2020, 6 photographic prints on Hahnemühle museum etching paper, 80 x 50 cm (each)

Photo by Rob Hill and courtesy of Towner Gallery Eastbourne

What things may come, 2019, HD Film, 13 min

Installation view from Gamec Museum, Bergamo

What things may come, 2019, HD Film, 13 minutes 30 seconds

History as proposed, 2023, photo montage, Print on Museum Etching paper

History as proposed, 2023, photo montage, Print on Museum Etching paper.

Photo by © Phillipe de Gobert, Photo Courtesy Centre for Fine Arts – Bozar, Brussels

Disappearing Land, Print on Canvas, 2022. Photo courtesy of Middle East Institute Washington D.C

Atlas, 2019, HD Film, 4:30 min

Ode to a desert, 2021, photography print on Canvas, framed in glass, photo courtesy of Art D'Egypte.

Atlas series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.

Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale

Atlas series, 2020, 24 thermoformed acrylic sculptures, Neo chrome film, pearlescent paint.

Photo by Kato Ken, courtesy of Organizing Committee for Yokohama Triennale.

Atlas I, 2019, thermo- vacuumed acrylic, 3D prints, Aluminium foil.